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“Go On Home, British Soldiers!” – Irish Rebel Song

History
The tradition of rebel music in Ireland date back to the period of English (and later British) Crown rule, and describe historical events in Irish history such as rebellions against the Crown and reinforcing solidarity amongst the people of Ireland.[citation needed]

As well as a deep-rooted sense of tradition, rebel songs have nonetheless remained contemporary, and since 1922, the focus has moved onto the nationalist cause in Northern Ireland, including support for the IRA and Sinn Féin.[1] However, the subject matter is not confined to Irish history, and includes the exploits of the Irish Brigades, who fought for the Republican side in the Spanish Civil War, and also those who participated in the American Civil War. There are also some songs that express sorrow over war (from a Republican perspective), such as Only our rivers run free, and some have been covered by bands that have tweaked lyrics to be explicitly anti-war, such as the cover of The Patriot Game by Scottish band The Bluebells.

Over the years, a number of bands have performed “crossover” music, that is, Irish rebel lyrics and instrumentation mixed with other, more pop styles. Damien Dempsey is known for his pop-influenced rebel ballads and bands like Seanchai and the Unity Squad, Beltaine’s Fire, and Kneecap combine Rebel music with Political hip hop and other genres.[citation needed]

Contemporary music
Irish rebel music has occasionally gained international attention. The Wolfe Tones’ version of A Nation Once Again was voted the number one song in the world by BBC World Service listeners in 2002.[2] Many of the more popular acts recently such as Saoirse, Éire Óg, Athenrye, Shebeen, Mise Éire and Pádraig Mór are from Glasgow. The Bog Savages of San Francisco are fronted by an escapee from Belfast’s Long Kesh prison who made his break in the September 1983 “Great Escape” by the IRA.

Music of this genre has often courted controversy with some of this music effectively banned from the airwaves in the Republic of Ireland in the 1980s. More recently, Derek Warfield’s music was banned from Aer Lingus flights, after the Ulster Unionist politician Roy Beggs Jr compared his songs to the speeches of Osama bin Laden.[3] However, a central tenet of the justification for rebel music from its supporters is that it represents a long-standing tradition of freedom from tyranny.[4]

Themes include “Arbour Hill”, about the place; “Fergal O’Hanlon”, about the man; “Northern Gaels”/”Crumlin Jail”, about the prison; “The Ballad of Mairead Farrell”, about the woman; “Seán Treacy”, about the man; and “Pearse Jordan”, about the man.

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