Simón Bolívar Symphony Orchestra
David Ascanio • Piano
Manuel López-Gómez • Conductor
Sala José Félix Ribas | Teatro Teresa Carreño
26 Sep 2009 – Caracas, Venezuela
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Mozart’s Piano Concerto No. 20 in D minor, K.466 is one of the most beloved and widely performed works in the classical repertoire. Written in 1785, this concerto is unique for its dark and somber tone, which stands in stark contrast to the more cheerful and optimistic works of Mozart’s later years.
The concerto is in three movements, beginning with an Allegro in D minor. The opening of the first movement is marked by a dramatic, foreboding introduction, which sets the tone for the entire piece. This is followed by a lyrical and passionate second theme, which is played in a major key. The first movement builds to a powerful climax before concluding with a brief cadenza.
The second movement, Romance, is a tender and melancholy slow movement in A-flat major. It is characterized by a beautiful, lyrical melody and lush string accompaniment. The movement is also notable for its use of chromaticism, which gives it a haunting and mysterious quality.
The final movement, Allegro assai, returns to the minor key of the opening. It begins with a dramatic flourish and continues with a lively and energetic theme. The movement also features a brief cadenza, which serves as a bridge between the two main themes. The piece ends with a triumphant and uplifting coda.
Mozart’s Piano Concerto No. 20 in D minor, K.466 is a timeless classic that has captivated audiences for centuries. Its unique blend of dark and light, sorrow and joy, make it an essential part of the classical music repertoire.
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